THOMPSON
Photo:Peter Orford
Frequently Asked Questions
What made you decide to write?
Desperation! I was hitting a very dangerous age for an actress, and knew that I had to find some alternative way of earning a living. It was a complete long shot. I hoped that being in the public eye in Ireland might help me get to the top of the editor’s slush pile, but in fact people are generally wary of ‘celebrity’ novels.
Were you rejected, and how did you cope with it?
My very first attempt at writing - years and years ago - was rejected by Mills & Boon, but it didn’t really surprise me. I was trying to write to formula, which is a bad idea. When I had another stab at writing (with It Means Mischief), I bawled crying like a big baby for an entire afternoon when it was rejected by the first publishing house I approached. If it hadn’t been for my husband Malcolm’s encouragement, I would have given up there and then. Having said that, I was very lucky, because I got back from the publishers what is called a ‘considered’ rejection – the manuscript had a reader’s report attached - which gave me some idea as to how I could make the book work.
Do you have a regular routine?
I do now. In the early days when I was still working as an actress, things were more erratic. If I had time off from a television storyline I often wrote seven days a week - sometimes up to thirteen hours a day - and I'd be really, really wrung out in the evening. Nowadays I spend the morning pottering, doing household chores, taking in some exercise, playing around with my characters all the time in my head. They’re rarely out of residence once I get stuck into a book! Around one or two o’clock I make myself a big pot of coffee and stay in front of the screen until seven or eight in the evening, without a break.
Where do you get your ideas?
People ask this question all the time! Ideas can come from everywhere and nowhere. A leather hat lying on a stranger’s doorstep gave me a rather lovely idea for Living the Dream. And feedback’s incredibly important. Malcolm reads my work when I finish every evening, and has come up with some terrific ideas when I get stuck. Weaving a plot is really just a prolonged exercise in lateral thinking. Sometimes I’ll spend an hour at my computer wondering exactly how I can get my heroine from A to B when she doesn’t have a car, or how so-and-so gets to see a letter that isn’t intended for her. You get there in the end!
Incidentally, there are no new ideas under the sun. I’ve lost count of the number of times I’ve opened someone else’s novel and gone ‘Oh no! That happens in my book too!’
What about research?
Going to France to get the ambience right for The Blue Hour was a joy. The only really tough research I did was when Ella - my heroine in Going Down - decided to embark on an advanced course in scuba-diving. I had already certified as an open water diver, but in order to do the advanced course I had to spend a freezing Saturday morning thirty metres underwater in a flooded quarry in practically minus visibility. It was grim - but diving reefs is as near to heaven on earth as you can get. In the name of research, I also took a course in Complementary Healing Massage while writing A Perfect Life because one of the heroines of that novel is a certified masseuse. It's actually a fantastic skill to have - a massage is a wonderful gift to give to a friend.
Generally speaking, I write before I research, and it’s amazing how accurate your instinct can be. Picking people’s brains has to be the best way of confirming facts. I often write a list of questions and then take an expert out to lunch. I had a brilliant boozy lunch with a casting director while researching A Perfect Life, and Susan Walsh of Dubray books was incredibly helpful when I researched Living the Dream (one of my heroines - Cleo Dowling - is a bookseller). For Sex, Lies & Fairytales I researched by studying online blogs and surfing the net to find book reviews. Actually, in many ways that was scarier than diving in the quarry...
Are your characters based on real people?
At the top of all my books my publishers have very diplomatically stated that: ‘All the characters in this book are fictitious. Any resemblance to actual persons, living or dead, is purely coincidental.’ I will confess that some of my more peripheral characters – particularly the horrible ones! - may initially have be been based on flesh and blood people, but they soon develop their own idiosyncrasies. You might find an amalgam of real life people in one character – so-and-so’s hair, such-and-such’s bad breath, eeny-meeny-miney-and-mo’s flamboyance, greed, sense of humour (or lack of same) - or even his/her shoes!
It sounds weird, but sometimes characters walk into my head without asking permission. I actually heard the footsteps of one of my characters before I dreamed her up, and disliked her from the moment she walked in the door! (Jolie Fitzgerald in ‘Striking Poses’) As for Leo Devlin - the anti-hero in A Perfect Life – I don’t like to think where he came from! He’s easily my most evil creation to date.
Do you get emotionally involved with your characters?
Intensely. I laugh out loud at their pratfalls and really hate having to manipulate their misfortunes. I cheer their victories and weep buckets at their calamities. I was in floods of tears once, writing a letter from Rory to Deirdre in More Mischief, and was beyond relieved when the phone rang that it was my agent who was on the other end. I’m not sure that anyone else would have understood – apart from another writer.
Do you have many writer friends?
Two staunch allies and very dear friends are Marian Keyes and Cathy Kelly. They have been incredibly supportive, and I count myself extremely fortunate to have found them. A Perfect Life is dedicated to Marian. I am also blessed to have had Deirdre Purcell as a mentor: she was extraordinarily generous to me when I was starting out, and remains a good friend to this day.
While surfing the net recently, I discovered that you've written some very successful children's books.
That's a different Kate Thompson! She writes children's as well as adult fiction. The strangest coincidence is that she too lives in Ireland.
Have you negotiated film rights to any of your books?
A German film company has expressed interest in adapting both of the Mischief books for a television series, but these things take forever and I won’t hold my breath.
Do you miss acting?
Absolutely not. The insecurity is crippling.
So nothing would persuade you to go back on the stage?
I have one dream role – Grace in Brian Friel’s ‘Faith Healer’. But my friend Ingrid Craigie played it so beautifully in the recent Gate Theatre production (with Ralph Fiennes) that I really don’t think I would have the nerve to. I still do occasional voiceover work - I recorded the audiobooks of both Living the Dream and Sex, Lies & Fairytales - and more recently I recorded the radio ad for With a Little Help from my Friends, a compilation of short stories from top Irish writers to raise money for the Hospice foundation.
Where do you write?
When I’m in Dublin, I write in what used to be a chaotically untidy attic. Since becoming a professional writer, I've turned it into a dedicated work space. I also spend a lot of time writing in the west of Ireland.
On the coast?
Yes. My mother-in-law has a fantastically beautiful site on Clew Bay. A battered mobile home has stood on the shore there in splendid isolation for the past thirty years, and every time I visit I expect to find that it’s been blasted away by the wild winds that come in off the Atlantic. It’s obviously not possible to work there in the winter months, so I rent a place in Connemara then. It has an equally beautiful view that can prove very distracting!
The photograph at the foot of shows me sitting on the sea wall of the Clew Bay site, doing my favourite thing. I'm cradling my Burmese cat, I have a glass of white wine to hand, and I'm reading a book. My idea of heaven!
How many novels have been published to date?
Eight have been published by Transworld. I have published one novel myself, under the aegis of Mischief Publishing. It is called Love Lies Bleeding, and I am delighted to say that it is a www first, and the only self-published novel ever to have made it into heat magazine's Top Ten Book Chart. The Examiner declared it: 'Kate at her sparkling best.' For more info, check out www.loveliesbleedingthebook.com
And you’ve been translated?
Yes. Into several languages. It’s a weird feeling to see the books in Greek. Although Rory is still pronounced with an ‘r’ sound, in Cyrillic he becomes ‘Popi’! And in Czech my name is Kate Thompsonova - v. diva-ish!
You've also had a novel published under a nom de plume?
Yes! My pen name is Pixie Pirelli. Pixie is actually a character - a chick-lit writer - in my novel Sex, Lies & Fairytales. Since she doesn't exist, I decided to write her book for her. You can find out more about her by going to www.pixiepirelli.com I'm delighted to say that her novel has received all-round rave reviews!
The Blue Hour was one of Eason’s top selling Transworld titles of 2003, and was shortlisted for the Parker Romantic Novel of the Year in 2004. What makes your books so successful?
I read to escape, and I write to escape. I think there is so much awful stuff going on in the world that escapism is essential from time to time.
How do you spend your leisure time?
The usual suspects. Reading, eating out, walking beaches, running beaches, lying on beaches, swimming off beaches, scuba-diving. I spent my best Christmas day ever diving a reef in Jamaica. And I love sleeping! That’s my biggest luxury, especially since I used to have to get up at ungodly hours to be on location in the days when I was working as an actress.
© 2007 Kate Thompson
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